Posted in Learning, Life

Because you are my Dad

Monday 22 January 2018

Dad lies completely still apart from the rise and fall of his chest, his breathing regular though shallow: a quick breath in, a just-as-quick breath out, count to four, another breath in. On the odd occasion his body misses a breath my heart races and I watch closely for the rise and fall of his chest.

Music wafts gently around the room Dad’s called home for the past 18 months and despite the scurry of nurses outside in the corridor there’s a sense of peace and calm here in this room.

I never imagined keeping watch over my dying father, but here I am, sitting on the hospital bed the nurses brought in and placed next to his, thinking about what I know and who I am because Noel Pittaway has been my Dad.

I know the importance of spit-clean shoes – polished and buffed till they shine. People notice shoes, Sharon, he’d say as I’d present them to him for inspection. Make sure they’re clean.

I know how to spell by breaking words into pieces and sounding them out.

I know that it annoys Mum when we do that (you’re just like your father, she says in that tone she has that indicates she thinks we’re clever but a bit show-offy.)

I know to eat my vegetables first before even touching anything else on my plate.

I know it’s best to eat cauliflower and cheese sauce while it’s hot.

I know how to swim because Dad insisted I stand in the shallow end of the Nowra pool and while all the other kids got to muck around I stood there and practiced my strokes and my breathing. I was never a fast swimmer but I had a nice style (just like your father, Mum used to say in that tone she has that speaks of admiration).

I have an eclectic musical taste because Dad had an ever-expanding record collection that ranged from Rachmaninov to Ray Charles via Ravi Shankar.

I know how to be comfortable with silence; that I don’t have to fill it with words and that in the silence there’s still warmth and togetherness.

I know that reading fiction opens up worlds I would never have been able to imagine on my own. Some of those worlds were beyond the comprehension of my 11,12,13-year-old self, but I discovered that being stretched imaginatively is important and immensely beneficial to a teenager’s developing mind and spirit.

I know the thrill of the rollercoaster, big slippery dips and rides that spin and whirl and fling you upside down and inside out and the added thrill of experiencing that with your granddaughter. Again and again and again.

I know it’s wrong for a girl to swear.

I know how to snorkel. And not to be afraid of the ocean. And the delight of walking on the squeaky white sand of Jervis Bay.

I know that travel is an adventure to be indulged in whenever possible and part of that adventure is the spontaneity of a detour or an unplanned destination or heading down a one-way street the wrong way.

I know that creative expression is an important part of life, whether that expression is theatrical, literary, artistic, musical or photographic – and the importance of taking the lens cap off.

I know what love for your wife(husband) looks like because of the depth of love Dad has for Mum … and I know that romance is not dead.

I know that people are deeply complex and that an external quiet doesn’t necessarily mean an internal quiet.

I know that laugh-yourself-silly fun is contagious and being surrounded by your grandchildren and great grandchildren is joyous and delightful in ways that can’t be described in words …

and that when you’re in your 60s and you think you can still somersault off the 1 metre board at the Murbah pool and get up there only to find you’ve bitten off more than you can chew, that a poolside cheer squad led by your grandchildren will push the fear down and turn you into a hero as you run along the board and somersault effortlessly into the diving pool.

I know that the rougher the sea the more you enjoy the ride. Just hang on tight and ride the swell.

And I know that while the taste of beetroot is a flavour they serve in hell, Dagwood Dogs are a tiny taste of heaven.

I know that what your dad teaches you can be hard to learn and that you can fight against it (and him) and that what you learn might not have been the intended lesson, but I also know that Dad has influenced my life enormously and I am who I am in big measure because my Dad is Noel Pittaway.

The movement of Dad’s body … the rise and fall of his chest … stops in the afternoon of Thursday 25 January … but the movement of his life and his legacy have transcended his body and spread through his children, grandchildren and great-grandchildren … it’s a legacy that moves invisibly yet steadily across and through the generations.

On February 14, 2016 Dad and I flew over Antarctica. It had been a life-long ambition of his. Here we are ready for our 14-hour adventure.

*Many thanks and huge appreciation to Alison Cosker for providing feedback on this post. It has been strengthened because of her input.

Posted in Learning, Life

I think I can …

Actually, I know I can. Because I did!

Okay, I’ll back up a bit.

In February 2016, I went to the gym. Not for the first time, I hasten to add, but this particular occasion was quite memorable because it was my first ‘seniors’ class.

Yes, I snorted too – but it appears, in the world as we know it today, ‘seniors’ means those over 50. I had not, until that point, considered myself a senior and even though it’s a year later and I’m a year older, I still don’t consider myself to be a senior.

But I went anyway. I wasn’t working, the class was included in my gym membership, and it was on a Friday morning when I had nothing better to do with my time.

It may come as no surprise to you that I was the youngest person there (apart from the instructor) … by at least 10 years. And I quickly realised that’s a highly motivating factor. Here were all these oldies doing things, sometimes more quickly and with greater flexibility than I was doing them.

Yikes!

It got me moving I can tell you!

But I also discovered something important that day. I discovered that I couldn’t jump. I stood in front of the box I was to jump on to, and all sorts of thought processes went through my head but none of them helped get my feet off the ground and onto the box. While my mind was very willing, my flesh was anything but.

I simply stood there and stared. And then when we moved to the next exercise, I watched the old lady following along behind me nimbly jump onto the box, and off again, then on again as if she’d been doing it all her life. Well, let’s face it, she probably had.

But not me. I thought back to the last time I’d jumped and drew a blank. It wasn’t something I’d been called on to do in my professional life – metaphorical hoops are much easier, I learnt, than actual boxes, to jump through (or on as the case may be).

And it wasn’t something I’d had any reason to do in my personal life either.

So there I was … a non-jumper. I went home and in the privacy of my loungeroom, turned my attention to jumping, but to no avail. It seemed I was destined to be a non-jumper for life.

Fast forward to three weeks ago when I remembered my inability to jump and mentioned it to Josh, my personal trainer. “Josh”, I said as I was pushing 80kgs of metal with my legs on something appropriately named a ‘leg press’, “I can’t jump”.

He looked at me, slightly stunned that I would say something so outlandish. “What do you mean, you can’t jump?”

“I can’t. I just can’t do it. I try, but I physically can’t do it”.

He saw that as a challenge, and once I was vertical, he held my hands while I launched myself off the ground. With both feet. At the same time.

It turns out I can jump, and now not only can I jump, I can also star jump, and squat jump, and rope jump (as in skipping) and do burpees, and forward bounds, and I’m even getting the hang of running man (my coordination still needs a little work).

So there you have it. When you think you can’t jump*, hold someone’s hands, start out small, gain some confidence, and you’ll be jumping* all over the place in no time.

*Insert any other thing you think you can’t do here 🙂

Body by Josh; photo by me.
Posted in Flowers, Learning, Life, Photography

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Realisation day (a long read)

If you’ve been following my blog (or even my Facebook feed) over the last few days, you’ll know I’ve been reaching for something … looking for some answers to questions about the type of photographer I am, what I do it for, what I find enjoyment in photographing, if I have any feeling or sensibility for it (notice I didn’t use the word ‘talent’ 🙂 ).

After much thinking and reflecting, and responding to questions Tim posed, I have come to some important realisations.

1. I don’t have to take the same sorts of photos that others take.
This might seem self-evident and hardly worthy of days of contemplation, but for me it’s an important realisation. When I first started taking photos I predominantly photographed flowers. Up close. I even had a few exhibitions of my work and lots of my photos are now hanging in others’ houses. That’s immensely satisfying now that I think about it. But along the way I lost confidence in my ‘style’ or didn’t recognise that I had one, so I started taking photos that looked like other people’s or photos that I thought other people would like … and then I stopped taking photos, or at least stopped taking photos I was really happy with. My realisation came in the shower – that place of many realisations – a few days ago, and it was an acknowledgement that it’s okay to take photos that reflect my way of seeing the world.

2. My way of seeing the world focuses on the detail, not on the environment in which the subject exists.
My portrait work can be slightly confrontational for those who are being photographed. I get in close. I am interested in faces, in the diversity of faces, and what a face can tell us when there are no clues about who the person is or the environment they’re in apart from their facial features; when we can’t see the clothes they’re wearing, or the way they stand or sit. What interests me is the detail. It’s the same in my flower images. The way particular petals curve slightly differently from the others, the variations in colour across a flower or even a single petal, the shapes, the perfectness … even when its dying. They speak to beauty and dynamism and decay and … and life. And my way of seeing the world also involves a process – a process of envisioning, of thinking, of reflecting, of experimenting, of playing, of looking at different perspectives.

3. I enjoy the process.
I started working in community radio in 1991. I was an on-air presenter as well as a producer, a news gatherer and newsreader, an interviewer, and eventually music director. After three years and a move to a new city I had the opportunity to produce and present programs on ABC Local Radio. Throughout my 16 years working in radio, one of the elements I liked the most was getting the technical details right: making sure there was no dead-air, knowing a piece of music well enough to know when to fade it in (or out), making sure there was variations in pace and tempo of the songs across the course of an hour and of the program, knowing how to edit an interview to ensure it was coherent and told a story, leaving space for breaths (my very first ABC radio interview had no breathing space – it wasn’t good to listen to), finding the right piece of music to fit with the mood of the interview … it was in the process of making radio that I found most enjoyment. When I was a drama teacher, I enjoyed the process of developing a production. I wasn’t a ‘find a script and put on a play’ kind of drama teacher. Rather, the students and I (and for one memorable production we engaged the help of the amazing Lisa Roberts) workshopped ideas, played around with images and sounds, how to create them, and how to add them meaningfully into the production. We played around with how to use the space, how to light it, how to confront the audience or how to keep it at arms length. We played and experimented and even if we didn’t know where we were headed at the beginning, or quite how we ended up where we did, we worked our way through a process of experimentation and play and ideas and representation.

When I started taking photos, I enjoyed the process. I enjoyed working out where to put the light, how to reflect it, how to shape it. I enjoyed the process of figuring out which part of the flower to focus on, where to put it in the frame, what else to include in the frame or what to exclude. It was a creative process, and I liked the process as much as, if not more than, the product. It was a deliberate process, one I had to think about because I was so new to it; over time I have lost the deliberateness of the process. One of my realisations was that I need to become more deliberate about my process, because it’s not just the product that excites me; the process gives me a real sense of meaning and purpose.

4. Meaning and purpose.
In some ways I am a very pragmatic person, although I am also an idealist. But the pragmatist side of myself is the one that often causes me to derail. The question ‘but what is it for‘ bounces around inside my head with sickening regularity. The big existential questions are one thing, but to bring that thinking to the little things in life can rob them, I’ve realised, of joy. For me I mean. I’m not talking other people here, just me. If photography is for a pragmatic purpose – if it’s to exhibit or to sell – then it’s important that other things happen: you get clients, you know how to engage with people and make them feel comfortable, you spend your weekends shooting weddings and then the days in between getting the photos ready for the happy couple. You bill people and have contracts and meet people’s expectations. But what if that’s not the sort of photography you want to do? What if you just want to take photos? But what for, was a question I would ask. Constantly. To what end? What will I do with these images? Why am I taking photos? Those questions nag at me, tug at the edges of my mind, wear me down. Why am I spending time and money on this pursuit? What is it for?

Tim asked me a question the other day and I answered “Yes I really should”. His immediate response was: “Don’t use should. Use ‘will'”. And that was enough for me. Just that change of thinking. ‘Should’ has an expectation attached to it or a judgement. For me, the final image isn’t the thing I find of most value in the photography process; it’s the process of creating that image. That’s what brings me joy and excites me about photography – about anything creative. It’s in the experimenting, the exploring, the playing with ideas, with ways of representing the world around me (a world primarily of flowers and faces) … that’s where the meaning and purpose of my photography resides.

I went through many years of not thinking that was enough, but if I don’t have that, then I find little joy in using a camera. As it’s my only creative outlet (apart from the occasional piece of writing I do) it’s a very important part of my life.

Last week, for the 52 Week photography project I’m involved in, our theme was photographer’s choice. I decided to photograph a flower and initially I took the kinds of shots other people might take (sunflowers against a white brick wall in a jar) and used one of them for the final image for the project.

Sunflowers and jar
Sunflowers and jar

I like it as an image. But the process of taking it didn’t excite me, there was little enjoyment for me.

So I decided to go back to what I find enjoyment in and took a series of close-up shots. I used light, natural and otherwise; I played around with positioning, with framing, with considering what was important. I was deliberate in my process. What surprised me, no it was stronger than that, what amazed me was the excitement that came flooding back. It reinforced for me that it’s the process that gives me meaning and purpose in my photography work.

So after all that, here is what I came up with. This is not about which is the ‘better’ image, or which one I like the most. This is about which one was taken in a way that gave me a sense of enjoyment, satisfaction and purpose.

p1140079

One final note: yes, it was a very long shower! 🙂

Posted in Learning, Life, Writing

2016 Writing challenge: Day #1

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Hello.

Remember me? I used to write posts on this blog, something I haven’t done for a few months. I admit to missing it, so here I am.

I was re-working my blog last night – putting all my writing onto the one page so that if anyone wanted to find it and read it, they could. I had a reason for doing this, but this isn’t the time to go into that.

I have been thinking about writing something for some time now, as I’m aware that while I used to blog using words and ideas to express myself I now use images. That’s a big shift. A shift in perspective as well as a shift in the form I choose to communicate my world. It’s hardly surprising though, given that my world has changed quite significantly in the past two and a half years. The word and ideas part has diminished somewhat.

It’s almost exactly two years since I moved to Melbourne. Maybe just as significantly, it’s now six months since I left the job I walked into as soon as I got here. Oh, I’ve worked since then – in fits and starts admittedly – but I haven’t had to get up every morning and head to a workplace. I transcribe audio interviews from home; I develop content for the university course I’m teaching at home; I work on a teacher toolkit for a volunteer organisation at home; I record lectures and upload them to the university’s learning management system from home; I supervise research higher degree students from home; I meet with the publisher of my textbook to talk about the next edition from home; I mark university assignments at home. I do, however, go out to teach. Well, I did, but semester is now over and only the marking remains. To be done from home.

Of course, I also I think about applying for jobs and intermittently spend the day looking for something I want to, am qualified for, or not too old to do. I write applications, address selection criteria, and ensure my resume is fit for purpose. I have, on occasion, attended interviews, then waited (and waited) for the inevitable ‘no thanks’.

It’s fair to say that I’ve spent a lot of time at home. I bake much more now than I used to. I read a lot. I’m up to the second season of Seachange. (It holds up really well, in case you find yourself with some time on your hands.)

So, why this post? Well, in re-organising my blog I came across two writing challenges I had been set a number of years ago. One was from my husband Tim, who challenged me to write about writing every day for a week, and the other challenge was from Jill, a former student, who challenged me to write each day for a week about what I’d learnt outside of formal learning. I remembered that while they were challenging (I guess that’s part of the inherent nature of challenges) I enjoyed writing them, and I particularly enjoyed the interactions some of those posts sparked with those who read them.

So here I am: about to spend a week being disciplined, achieving a goal – one post per day, thinking. Those of you who know me well know that how I love to think. I will work to a particular topic each day, the first of which is: when you started your blog, did you set any goals? Have you achieved them? Have they changed at all?

Please realise that I find it extremely challenging to write to a topic, so there will be times when my writing only tangentially applies to it. A bit like a beginning university student writing an essay! Oh that’s cruel Sharon … perhaps, but if you’ve read as many first year university students’ essays as I have you’ll know there’s a lot of truth in it.

So, to the topic. Did I set any goals when I started my blog? [Three hours later] I’ve just trawled back through my blog to find my initial post to see if I had expressed a goal. And yes, I had. This blog is for me to determine whether I have anything to say. That’s a goal. Isn’t it? I also thought, back then, I might write on a weekly basis. I even joked about scheduling time to write. I never got as far as scheduling, but for a while I found things to write about. Now I’m not so sure, but I’m prepared to give it a go.

Are you willing to travel on this journey with me? It’s only for a week, and you never know what we’ll discover along the way. And I might just discover whether I do have something to say.

Posted in Learning, Schools, Studying, Teaching

What future for education

A week or so ago I decided to sign up to do a course called ‘What future for education’.

It was the title of the course that caught my eye as I am working through a period of deep ambivalence about education and thought this might provide me with some answers, or at the very least give me something else to think about. You know how I like to think!

It is an online course like many others: there are lectures (and in this instance, they are brave enough to call them lectures – I like that), there are readings, there are discussions to be had, activities to complete (an entry on a Padlet wall – some of you may remember adding to a Wall Wisher Wall in your own studies … it’s now called Padlet), and a tweet or two.

And a blog post. Hence my presence here today.

I could have started another blog and used that just for the course, but decided against that. Mostly for pragmatic reasons; I have a collection of applications that I’ve signed up for because of various studies I’ve undertaken and many of them I don’t use once the study is finished. Or once I decide to stop studying. And so I thought I’d write my blog posts here and you can be be amazed that I still haven’t learnt to read the unit outline and take any notice of deadlines. This blog post was supposed to be in yesterday, for instance.

But I’m supposed to write a 200-word blog post on: Based on your experience as a learner, what do you think you will be able to get out of this course? And what ideas do you already have about the future of education? So here goes.

What I will get out of this course … that’s an interesting way to phrase this question. Does that mean the same thing as ‘what will I learn from this course’? I’m going to say yes, and so will reword the question and write about what I expect to learn by completing this course.

I expect to learn about a range of perspectives on education – what education might look like in the future; how we might shape education; what education is for; why we educate. I want to learn what others have to say about education, others who aren’t politicians, others who know something about education and have ideas about it. I expect to learn how education can move away from the abyss of commodification and towards a focus on learning.

What ideas do I already have about education? I’m going to imagine that the term ‘education’ here is used to mean ‘formal education’ whether that’s in a school or university.

  • I see a distinct shift towards education being a commodity that is bought and sold, with as little effort made by the ‘consumer’ as that required to buy a lipstick.
  • Education has less to do with learning and more to do with a qualification or a result that allows the student access into other areas of education (from Year 6 to secondary school; from Year 12 to university), and then into the ‘real’ world.
  • Education has become enfeebled by a narrow focus on literacy and numeracy to the detriment of developing learners (people) who can engage in creative, critical, and ethical thought (and action).
  • Teachers (including university academics who teach) are increasingly stymied in their efforts to encourage learning, instead being forced to focus on assessing (there’s much more weighing than there is nourishing).
  • School teachers are little more than automatons – delivering a curriculum that is divorced from their students and developed by outsiders who have political points to make; being handed scripted lessons to deliver; having very little say in what is taught and how it’s taught.
  • The future of education is bleak.

 


 

So, for what it’s worth, that’s my less than cheery summation of the future of education.

Posted in Life

Ordinary stories

The road twists and turns around gently wooded slopes that rise up to form part of the caldera. We travel through farmland where lumpy cattle graze between old-fashioned fences, and then through bushland with shards of red and a thousand different greens. Tufts of grass draw a seam down the centre of the narrow potholed road whose edges are battered by heat and too many vehicles. An occasional house, a school, a rash of letterboxes: signs of human occupation, but you’d be excused for thinking that you’d travelled to a different time. It’s hard to believe that the shiny brashness of the Gold Coast is less than an hour away.

We turn left at Chillingham towards Tyalgum and I ask if Nan and Pop had ever lived here. No, they lived at Limpinwood, 15 minutes away (although possibly longer then), in a hut on the farm where Pop worked. And Nan worked there too: she cleaned ‘the house’. The hut Nan and Pop lived in had a dirt floor and my Dad, a baby at the time, slept in a box. Or so he tells us. The owner of the farm was ‘mean’ – but my mother isn’t sure what Nan meant by that.

I realise that while I have my own memories of Nan and Pop, I don’t know their stories. I am fascinated by my grandmother’s life because it’s so removed from my own. But I won’t ever know much of that life because the stories of ordinary life and ordinary lives get locked away; they remain untold. Not deliberately untold, but they seem not worth telling, unremarkable, just ‘how life was’. We lived here, we worked there, we drank tea, cooked meals, danced, laughed, cried. Ordinary things done by ordinary people.

And still I’m fascinated. And not just by Nan’s story but of other stories I hadn’t considered before.

I hadn’t ever thought to ask before how my sister came to be born in Murwillumbah when my parents lived in Sydney. It turns out that it was something Dad wanted. My mother, living alone while Dad was at sea in the Navy, lived in Sydney – the same city in which her parents, brother and sister lived. My father’s parents lived in Murwillumbah, with Dad’s two younger sisters and his (much) younger brother.

As Mum answered my questions, I started to think about how each family member’s story was different and unknown – at least to me. How did Nan react when Dad told her that her daughter-in-law would be moving in so that the baby could be born in Murwillumbah?

How did my mother react when she was told that she’d be having her first baby a thousand miles from home?

How did Dad’s teenage sisters and 7-year-old brother Robert react to the reality of a new ‘big sister’ living with them for an indefinite amount of time?

How did Mum’s mother react knowing that her first grandchild was going to be born in a little country town so far away?

How did either Pop react?

I have a thousand other questions. What drove the decision to move from a dirt-floored hut in Limpinwood to a room in a cottage in Byangum Rd Murwillumbah in 1938? Who was the decision-maker? What conversations went on between my grandparents to initiate the move? Who was the decisive one? Was ambition a part of the decision? Did my grandmother insist, or was my grandfather the decision-maker, as my father had been in the decision about where his eldest child would be born?

***

Dad and I went to the Tweed River Regional Museum in Murwillumbah through the week and read stories of the prominent people of the area: pioneers, entrepreneurs, business leaders. Mostly men, but stories of women too; people who nurtured the town into existence.

I sit at the kitchen table that has been part of my life since I was a teenager and think about all the generations who have come before me, nurturing the families of which I’m a part into existence.

In the centre of the table is a fruit bowl that is part of a set that was given to my great-aunt as a wedding present in 1934.

There are many such things tucked away in this house. Bowls that Dad brought back from an overseas trip in 1959 not long after he joined the Navy, the wooden tongs hanging in the laundry that Mum used when she washed clothes in the copper in the early 60s, the drawers that used to be in the bedroom I shared with my sister in the 70s.

Ordinary things that have stories wrapped around them. Things that have been, and will be again, passed down to those in the next generation – or the one after that.

What stories there are in the midst of the ordinariness of family life.

Which ones will be passed on?

Which ones will stay locked away?

 

 

 

 

 

 

 

Posted in Learning, Life, Writing

Random observations and thoughts

A pirate sits in his car, texting with his eye patch up, while the news blares from his radio.

A silver and a pink balloon float above a fencepost at a house around the corner.

A car does a U-turn outside the house, crunches against the curb and comes to a complete stop. It seems perplexed.

***

My dress is ready. I’m on my way to the dressmaker now. I’d been walking past the Red Cross shop a few days ago and felt compelled to go in. There it was. A grey wool dress with a touch of black satin at the neckline and cuffs. Simple. Elegant. Beautiful.

Size small.

I tried it on anyway.

Max Mara, the girl with the German accent told me.

It needed a little re-stitching.

It’s ready now. I try it on.

It’s beautiful.

***

I sit in the downstairs section of the library. I’d ignored the signs saying staff and students only. I am neither a staff member nor a student of this particular institution but I figure that if I look confident no one will notice me.

I find a table in the group learning section. I don’t have a group. I sit at the table alone, surrounded by groups of students, with my laptop open, marking.

Conversations swirl around me. Ideas, concepts, understandings, clarifications, possibilities. Multiple languages. Multiple disciplines. Maths. Graphic design. Nutrition. Engineering. A glass wall covered in formula. Portfolios scattered across tables. Laughter. Swearing. Questions. Comprehension. Propositions.

Intellectual and social and professional engagement.

I wonder about the spaces we create for online students to engage in these rigorous conversations.

Tim says: I’m going to the city with my camera.

I let other thoughts go. They are puzzles for another time.

Now is the time for wandering.

 

 

Posted in Learning, Life, Writing

Writing at Rosie’s

I spent the weekend at Rosie’s, retreating. That is, Rosie led a retreat in which I participated. If you don’t know her, you’re missing someone special! Rosie is elegant and gracious. More than that, she is full of grace and wisdom. Rosie affirms and honours people; she is gentle and patient and fabulous to be around. I’m glad she’s my friend.

Rosie asked why she hadn’t seen me on Twitter much lately and I responded that I had nothing to say. It’s why I haven’t blogged for a while as well.

Sometimes I like silence. Actually, a lot of the time I like silence. I can sit around a dinner table with a group of women and get to the end of the night without having said a word.

And that’s okay.  I like it that way. I get to listen to ideas and perspectives that are different from my own and tuck them away to think on later. To wonder how others come to have different perspectives and ideas and attitudes and beliefs and wonder more deeply about my own and how they’ve been shaped.

I get to hear of others’ experiences and the stories they tell of their lives.  Lives full of richness and colour and emotion. Relationships, places I’ve never been, things I’ll never do.

I learn about the tapestry of others’ lives: the weaving of experiences and reactions to those experiences, and come to some understandings about how others live and think and be.

I read blogs and comments on blogs, (and am dismayed by the negativity that abounds at times), but I don’t always feel the need to speak; to write. Listening is good.

But Rosie reminded me that writing is good too. There are times when I need to get my thoughts out of my head and onto paper so that I can see my thinking. It is only then that it begins to make sense to me. My head isn’t big enough to keep all of my thoughts inside; I need them laid out, visible, so that I can determine the ones that I feel un/comfortable with, challenged by, or determined to follow through with. I can make connections between the threads of thoughts when I can see them; a task I find much more difficult when they’re tangled around each other inside my mind.

Rosie gave us a journal and asked us to write in it. I did, even when the activity called for a more visual way of thinking. I wrote a lot, made some decisions, felt better. And all because I could see my thinking on the page.

I learnt (again) that sometimes, when you feel as though you have nothing to say, writing can help you move through that.

I also learnt (again) to own my statements, so I’ll write that again: I learnt (again) that sometimes, when I feel as though I have nothing to say, writing can help me move through that.

Thanks Rosie!

 

Posted in Life

Strange familiarity

I’m typing on a familiar computer, in a familiar corner of the big room upstairs, but the table is unfamiliar and therefore the act of typing is different.

While the corner of the room is familiar – it’s where my desk has been for the past four years and three months – the room itself is different.

Downstairs, in the kitchen, I open the drawer for a glass and it’s different. Not a different drawer or a different glass, but the drawer is emptier and therefore the experience of choosing a glass is different.

I step into my bedroom and the familiar bed and bedside table are there, but the rest is different. Chester is no longer where it’s been for the past four years and three months; the bookshelf full of mementos from former students and books with hard covers is gone; even Tim’s sock drawer cupboard is no longer there. Tim’s side of the wardrobe is now full of my clothes – what’s he going to wear, I wonder, for the next week/s?

Things are different within the familiarity of each room. There’s a piano in my dining room; a spider plant occupies the space where my pedestal used to stand in the lounge room; a canvas of a scene from Natone is on the wall where a scene from Scottsdale used to hang. The TV is smaller and the screen that covered the mess of cords is gone. Not so the mess of cords!

It’s disconcerting. Strange.

I open the pantry and immediately feel to comfort of the familiar; I stand there, like an old lady who’s forgotten what she went to the pantry for, just to feel the refreshment of familiarity.

But the fridge is different and the cutlery drawer is full of plastic knives and forks. I am disconcerted again.

I look in the mirror and see my familiar face, and it’s the same … but not quite. There’s a change, a small one, but a change nevertheless. I had forgotten, and for a moment am caught out. Then look away, seeking the familiar.

But at every turn, something has changed. It’s strangely familiar, but just as strangely unfamiliar.

I

am

discombobulated.

It’s not comfortable.

Posted in Learning, Schools, Teaching

On success pt. 2

Earlier this month (October) World Teachers’ Day was celebrated around … well … around the world. Did you hear about any celebrations? Did you take part in any? If you have school age children did you do something nice for their teacher/s? If you’re a teacher, did you celebrate in some way, or were you celebrated/acknowledged by others?

When thinking about success yesterday, I began to think about what it meant to be successful as a teacher. How is success measured? What does a successful teacher look like? What do they know, what skills and understandings have they developed, in what ways can they communicate their ideas, knowledge, understandings, thoughts, feelings, views? What are their values and what do they value?  Can you ‘see’ teacher success by looking at their students? Is there a link between a successful teacher and successful students? Is teacher success a sum of individual students’ successes? Is it simply a matter of addition … successful student A + successful student B (and so on)  = successful teacher?

We sometimes talk about students as if they are pieces of machinery that can be weighed and tested to see if they fit a certain list of pre-ordained specifications. Even if they are, would the teacher be the only one responsible for ensuring they meet those specifications, or are others involved too?

The structure of the school, for instance, has a part to play in student success – the kinds of programs the school offers, the number of lessons scheduled each day (and therefore the amount of time students have to work on things that matter), the relative worth of particular subjects (what’s more important and therefore how much time is spent learning Physics, English, Drama,  Maths, the capital cities of the countries of the world, the canon of English literature, History, driver ed, pet care, sustainability …?). And when there is only so much time in the day, what’s given priority? What’s missed out? And ability to ‘do’ which of those subjects would constitute success? If you can do quadratic equations but not name the poet who wrote The rime of the Ancient Mariner and discuss what it’s about in a coherent way, should you be considered successful?  If you cannot name the rivers down the eastern seaboard of Australia, but be able to parse a sentence correctly, are you a success? And for how long do you need to know this information? If you could parse a sentence when you were at school, but couldn’t now to save your life … were you really successful/was the teacher?

Different people will have different views on these questions and I doubt there will ever be any agreement. You might think that there is no question, that surely everyone would agree with your perspective, but ask around. What do others think?  Do they agree with you? On what points do your views diverge?

So the ways schools work has some impact on student success and our understanding of success has some influence on whether we deem students successful or not. The culture of the school – which is often established by the principal and leadership team  – also has an impact. If the principal says, at the end of lunch, ‘Okay troops, back to the trenches’ then she is putting a particular way of being into place. The teachers are soldiers and the students are … the enemy? Language is important, and it is to our detriment that we ignore the power of the metaphors we use and the influence they have on our own and others’ actions.

Of course, parents also have an influence on how successful their children are at school. Parents’ attitude to education and to teachers will be communicated to their children even if they don’t say anything to them directly.  Some parents will be in a position to take their children overseas and provide cultural experiences that other parents will not have an opportunity to provide; some parents will nag their children to do their homework, while other parents will have the view that schoolwork should happen between 9 and 3 and there should be no requirement for children to do school work out of school hours. Some parents will hold that view and still nag their children to do it! Some parents will talk to their children and in that way support the child’s capacity to communicate with adults; some parents will buy books for their children and establish a routine of reading to them at bedtime each night; some parents will limit time on the Nintendo DS and the iPod and how many hours of cartoons/video games/internet porn their children watch and will encourage them to become involved in sporting, cultural, community, and/or social activities. Some parents will speak to their child’s teacher and show an interest in the child’s education and progress.

But not all parents will do those things. Does that mean that some students get a head start? Or are better placed to be successful in schools?

We can’t discount the influence of teachers, of course, but we should remember that not all teachers are the same. They will have different motivations, different ideas about their role in the classroom, different ideas about the purpose of education, different ideas about how best to manage the classroom and its resources, how best to motivate and engage students, how to interact with children to allow them to flourish. Some teachers won’t even think about student flourishing. Some teachers claim that they teach subjects (disciplines) while other teachers claim they teach children. Some teachers are critically reflexive and question everything they do and question why they do it in the way they do it; some teachers don’t. Some teachers go to PD on a regular basis and continually learn; some teachers don’t. Some teachers leave as soon as the bell goes at the end of the day; others stay at school for hours, planning and marking and finding resources. Some teachers take their students on camps or walk the Kokoda Track with them, spending hours preparing themselves and their students for the trek.

Education is not a level playing field – not in terms of the children, their families, the schools they attend, or the teachers who teach them. But neither is it a factory, where a raw product is off-loaded in the loading bay, put on an assembly line, moved through a series of processes that are done to it over a number of years, evaluated at the end of the process to see if it measures up, and sent on its way – that ‘way’ being determined by how it measures up.

I have a hard time thinking of children as products, as things that need to have processes “done to them”.

And so I have a hard time determining what constitutes success when it comes to teaching. What does a successful teacher look like? What is the outcome of their success? Is it a group of children who all know the same things because they’ve been through a standardised/standardising ‘process’? Or is it more than that – how much more? What does that ‘more’ include?

And how do we know when a teacher has been successful? A teacher’s success may take years to be realised – there are countless instances of students who get in touch with their teachers many years after leaving school and recount a story of the impact the teacher had on that child as an adult. Success may not be immediate. Does that mean the teacher is any less successful?

I’m really interested in your thoughts on this. What does it mean for a teacher to be successful? Can success be measured and if so how? Against which criteria and whose judgements? Do we all have the same understanding of success and are we confident that we’re measuring apples against apples – if we agree that there is some way to measure teacher success?

Let me know what you think. I’m sure there’s a body of literature out there – people who have conducted studies on this very issue, but I’m interested in what you think.

And if you do think, then perhaps you should thank your teachers!