Posted in Learning, Studying, Writing

Postcards … an assignment

Last week was a big one for me.

I submitted my first assignment. The task was to develop a series of four promotional postcards for the town/city in which we live. We had to “photograph places or things that you find interesting”, while the postcards “are aimed to appeal to a youth/young 18-24 demographic, so please create postcards that you believe would appeal to this audience”.

Quandary #1: I’m not 18-24 – how do I know what appeals to that audience?

Solution: I asked my students. They all said “the beach”.

Quandary #2: The beach in Burnie is almost always deserted and taking a photo of an empty beach possibly wouldn’t make an appealing image for an 18-24 year old.

Solution: Go to the beach when surf lifesavers are training.

Quandary #3: Surf lifesaving championships had been held in another part of the state the weekend before, and only a small handful of people came to train on the only day I could make it to the beach.

Solution: Take a photo anyway!

Below is what I came up with. The water doesn’t look very inviting (that’s possibly my projection: I think it’s always too cold to swim in Tasmanian waters), and that could be a mark against me, but I’m willing to take that chance.

We had to include text of some sort and I wanted to keep it simple on the front and leave the explaining to the back of the postcard.

Beach Postcard

As mentioned, we not only had to design the front of the promotional postcard, we also had to design the back. Betty, our tutor, had indicated that the cards were not to be ‘touristy’ and so I decided against having a place for a stamp and a message. I wanted to use the back to contextualise the front. Here’s what I came up with:

Beach-back

Continuing with the beach and ‘come and play’ theme I also photographed the marine creatures that feature on the beach foreshore. These creatures have added extra life to the newly renovated beachfront.

Octopus

Octopus-back

While we were to take a thematic approach and ensure the four postcards were a ‘series’ I decided to have two themes. The second them is ‘make it in Burnie’. Burnie has taken on an identity as the ‘City of Makers’, and I wanted to capture this in my postcards.

Burnie is famous for making paper (although if you know Burnie you’ll be amazed at the absence of a pulp and paper mill), but it also makes other things. There’s a big Caterpillar factory (or a number of them) in the city, but also smaller companies making big machines for export to the rest of the world. Haulmax is one of those companies and while it isn’t technically in Burnie, it’s close enough to be captured within the instruction to take photographs of “your environment and/or its surroundings”. I figured that East Wynyard is a surrounding of Burnie!

Haulmax Postcard

Haulmax-back

I couldn’t discount the importance of paper to Burnie’s history and identity, so on the day before the assignment was due (I’d been in Sydney for the week before, which is why I had to leave it to the last minute!) I visited the Makers’ Workshop to see if I could find some paper.

It’s all handmade now, of course, and the papier mâché sculptures that Pam Thorne makes are amazing, but I couldn’t capture any of them in a way I liked, and, wanting to keep the images simple, I simply did this:

Postcard-paper

I thought I’d get into trouble for moving different piles of paper from their allocated shelves, but if anyone saw me they didn’t take any notice. I put them all back in their right places!

Here’s the back:

Postcard-paper-back

So, my first assignment submitted – on the day before it was due no less!

Feeling pretty happy with myself I re-read the task description.

It said “students must upload regular updates of their design/s. These regular updates are very important – they demonstrate the on-going development of your work prior to final submission. Be advised that if you simply upload work the day before it’s due (without posting any earlier entries or consulting with your lecturer) this will affect your final mark.

Whoops!

Oh well. Even if I don’t get a good mark, I still learnt a lot.

Posted in Writing

Writing Challenge (Day Four)

Tim starts reading and says you’re a dag. And smiles.

He finishes reading and says you’re so clever. And I smile.

Daggily clever? Cleverly daggy? Daggy and clever?

Voice.

When I ask students to write a reflection or a statement of philosophy about teaching, I want to hear their voice.  I dealt with a student this week who had found someone else’s philosophy statement on a blog and pasted it into her assignment. It wasn’t her voice. It was an easy pick-up. It happens way too often. I’m happily reading along and suddenly it is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife pops into the middle of the sentence. My ears prick up. Hang on, I say inside my head, that’s not Student A, that’s Jane Austen.

I keep reading and lo and behold it seems increasingly likely that I really will undertake the expedition that has been preoccupying my imagination now for some days and I recognise the very distinct voice of Stevens. It seems strange that his voice would appear in the midst of a student assignment on the fundamentals of communication in the classroom. I pause, I puzzle, I shake my head to clear it, only to read on and discover that I remain transfixed by Stevens’ voice.

Stevens’ voice comes about through long sentences and parenthetical comments: An expedition, I should say, which I will undertake alone, in the comfort of Mr Farraday’s Ford; an expedition which, as I foresee it, will take me through much of the finest countryside of England to the West Country, and may keep me away from Darlington Hall for as much as five or six days. It’s a voice that takes me instantly into the complexity of the character and slows me down. I move to the couch to be more comfortable because this is one of my favourite books, but I read on only to discover that many years later, as he faced the firing squad, Colonel Aureliano Buendia was to remember that distant afternoon when his father took him to discover ice. I am transported into the magically real world Gabriel Garcia Marquez paints in One hundred years of solitude.

I am confused. Student A (let’s call her Anna and in that way flesh her out a little) is writing about communication in the classroom, but her voice is lost in the other voices that keep intruding on her paper. I would go so far as to say that Anna has not found or established her own voice yet. She has let herself be distracted by other readings, others’ thoughts, others’ voices. She has not done her own thinking (which, let’s face it, is difficult); rather she has relied on my mother is, like, a totally confirmed A-list [expletive riddled passage deleted] *** hole cretin [expletive riddled passage deleted] ***head of the highest order. Fact. In fact, I, of this moment, officially declare my entire doubt of the fact that she is in fact my actual real mother.

My head is spinning, I flick backwards and forwards through Anna’s paper wondering where that voice came from. There’s no acknowledgement of her source, but it really doesn’t sound like Anna.  I do a Google search and find that it is the voice of Dora from Dawn French’s A tiny bit marvellous. Possibly not the best source Anna could find for her paper, but I suppose that all happy families are alike but an unhappy family is unhappy after its own fashion.

Tolstoy? Wow. 

Voice. Use your own. I know, believe me I know, it can be hard to develop your own, but your audience wants to hear First the colours. Then the humans. 

No, Marcus Zusack, now is not the time to intrude. I’m trying to establish my voice. A distinct voice. A voice that emerges from the snow in the mountains was melting and Bunny had been dead for several weeks … excuse me, Donna Tartt, please don’t do that. I’m trying to write in my own voice. A voice that is uniquely mine, a voice that is worth being heard, that emerges from this is Albion Gidley Singer at the pen, a man with a weakness for a good fact.

Kate Grenville, seriously, this is so not the time. I cannot finish on someone else’s words. I have to finish with my own because the war had ended as wars sometimes do, unexpectedly.

****

Tomorrow, the conclusion.

Posted in Writing

Writing challenge (Day Three)

It was 10:38pm. At night. A cold night with the wind howling and the rain splashing the windows. Somewhat violently, if my memory serves me correctly.

The phone rang.

This is unexpected.

It rang again.

Hello?

[ ….]

Seriously? Do people really still do that? 

After I hung up I stood there for a moment, shaking my head.  Apparently, they do.

This is 2012 and kids still ring strangers and ask is Mr Wall in? Perhaps Mrs Wall is there?  No?  No walls? 

Structure.

Houses have it; phone calls have it; thankfully, the chair I’m sitting on has one. We can’t avoid structure. Even abstract concepts like love have a structure. It might not have the same structure each time or be the same structure for everyone, but there’s a structure.

The glance; the flit of the eyes; the smile … 

The conversation; the I can’t stop thinking about him/her; the humming around the house (and on the bus and at the shop); the weight loss; the hunger; the disappointment; the grief; the anger …

The presentation; the I must speak with that (very cute) young man; the constantly being impressed with his thinking, but he’s so young; the happy realisation that within the young man’s exterior there beats the heart of an old man; the living happily ever after.

Structure. Everything has structure.

Even writing. Particularly writing. More particularly, academic writing. Let’s take a book chapter as an example.

Editors provide an outline of what is to be included. Much like the task description of a university assignment. Editors also provide a style guide, just like the ones provided to university students. While there isn’t a marking guide, editors send the completed (draft) chapter to reviewers (markers) who review (mark) the chapter and write comments (feedback) all over it. Who pick it to pieces. Who write quite unhelpful, often contradictory, feedback: the literature review does not capture the writing of (insert name of reviewer 1 here); the literature review is extensive. The lack of a theoretical framework is a weakness of the chapter; the theoretical framework is clearly articulated.

The draft chapter is returned (generally within a year of submission), the authors cry a little at the hurtful feedback provided by reviewer 1, and then re-work the chapter.

Sharon, interjects Tim, you’re supposed to be writing about structure. Oh yes.

Hmmm …

Some structures are not good.

Many people view a dictatorship as a poor structure for a civil society.

Some building structures aren’t well thought-through … I’ve seen many student assignments that have all the pieces, but they’re simply in the wrong place.

When a structure works well, the chapter/assignment/blog post is a delight to read. It works. It makes sense. You can feel confident that when you walk out the door you’ll step onto a floor at roughly the same level, rather than plummet to an untidy injury.

It’s a door Jim, but not as we know it

This post was supposed to be about writing to a structure and why I find that so challenging.

The truth is, and this might come as a surprise to some of you, I don’t think in a structured way. When I first sat down to write this post the computer was having conniptions, and so while it sorted itself out I started writing by hand. I had an idea that I didn’t want floating away to the dark recesses of my mind, and so to capture it I wrote it down. My first sentence was: Structure is a fundamental aspect of academic writing.

Dull.

I drew a line under that and wrote another first sentence: Structure is important … and that’s as far as I got because I bored myself to sleep.

Then I wrote: Imagine if the chair you’re sitting in had no stru …

Snooze.

But that brought to mind the story of the walls … the late night phone call. By the way, they hadn’t enough nous to hide their number, so did they get a shock the next night!!

I create as I go (well, create is a strong word), but I refine and edit and delete and include and structure as I go. And that’s fine for this kind of writing (where I’m perhaps amusing or entertaining or just being a bit silly) but that’s not okay for writing chapters – or university assignments for that matter.

Why not? 

Good question, Jill/Amanda/Wendy/Glynis/Mandy/Alison/every student I’ve ever taught!

So there you have it. A seemingly unstructured post on the importance of structure.

*****

Tomorrow’s challenge is my voice as an academic.