Tag: creativity

Posted in Food, Mid-life blogger, Photography

Intentional Photography: The Black Glove series

Posted on by Sharon

A few weeks ago, the word for our Word a Week photography challenge was orange. I had the idea of taking a photo of half an orange being squeezed to make orange juice.

We tried out a few shots, then Tim (who was doing the squeezing) asked: ‘how about I wear a black glove?’ and so the Black Glove series was born.

This morning was very wet and very windy, thus the perfect time to squeeze some more fruit. It’s a messy business, so we turned the garage into a makeshift studio.

I don’t know what I’m going to do with these images, apart from share them here, but that’s not really the point.

The point is, I really enjoy the process. There were aesthetic decisions to make: how to hold the fruit, where to put it in relation to the light, how much to squeeze, when not to, where to put the fruit in the frame; and then there were technical decisions: do I need the reflector? One light or two? Do I need to feather the light? Side lighting or front?

And that’s mostly what I enjoy about the process: being intentional.

Intentionality

When I did part of a photography course a number of years ago, one thing was emphasised over just about anything else: ‘intentionality’. Being intentional in photography is being deliberate about the decisions you make in relation to things like choice of subject, composition, lighting, equipment, post-processing.Now, I love wandering around, seeing something of interest, whipping my phone out and taking a photo of whatever’s captured my attention as much as the next person. But I really love being intentional.

I can remember when Tim first gave me a camera – I’d make all kinds of decisions I really didn’t know how to make – about lighting, composition, and what I wanted the image to look like – and over the years I think I became less intentional. It’s so easy, with the camera in your phone now (I first started taking photos with a camera before mobile phones had decent ones), to point it at something and click the shutter button.

But everytime I get into the studio (whether that’s a proper studio or the garage), I get to be intentional. I’m not just seeing something of interest – I’m creating something. For me, it’s the difference between taking the shot and making the shot. When I’m being intentional, I get to make something, and that brings enormous satisfaction.

A blog post on the fstoppers website, outlines the difference: “One is a passive approach meant to capture what occurs in front of the camera should something interesting cross its view, while the other is an active engagement in the creative process that draws on the technique, imagination, and foresight of the photographer“.

So, after a quick burst of intentional decisions – from choosing the fruit to squeezing it just right, adjusting the lighting, and framing each shot – here are the results.

All image ©Sharon Pittaway

Photography for me, especially when I’m intentional about it, gives me a great deal of satisfaction. These images aren’t only about fruit being squeezed; they’re about creativity and play.

I can be creative through playing: playing with the lights, playing with angles, framing the subject in different ways (low in the frame, or high) and playing through the post-production process. It’s no coincidence that the tagline of this blog is playing with ideas and images.

But of course, there’s more to images than taking them. There’s the viewer. How is a viewer going to respond? They don’t see the decisions, only the outcomes; they don’t know why I asked Tim to squeeze an orange in the first place, that he came up with the idea of putting on a glove (partly because he wasn’t enjoying the juice on his hands) and why I chose to shoot more fruit in the way I did today.

I won’t know your response, unless you tell me in the comments, but one person who saw the orange juice image recoiled at the “violence” in the shot. Another person who saw it said, “that’s the sexiest thing I’ve ever seen!”

Neither of those responses were anywhere near my thinking when I took the shots. As the photographer, I can make deliberate decisions about how to make the shot, but I’m not in any kind of control over how a viewer responds. And most of the time I never get to find out because people don’t generally comment or give any feedback.

What do you think? Leave a comment and let me know your response to these images. And/or tell me about your intentionality. What kinds of decisions do you make in your photography?

Thanks, as always, to Tim for being my willing accomplice.

Posted in Life, Photography

Diary of a distancer: Week 17

Posted on by Sharon

It is now Saturday July 4, 2020. Week 17 of my diary of a distancer posts, although I didn’t write entries for weeks 11-16.

They were tough weeks and I felt there was nothing much to communicate. Life rolled on for me; work was work; birthdays were celebrated – at a distance. Well, at a distance from me. Not being able to travel to Tasmania for the three June birthdays was tough, as was not being able to travel to NSW for my mother’s birthday.

I admit to falling into a hole I’m only now climbing out of.

It was tough in other ways too. Protests were held around the world – people protesting about being locked-in, others protesting about police brutality in the wake of the death of George Floyd at the hands of police, still others protesting about racial inequality more broadly. Dissent and civil disobedience followed … and arguments flew from all sides.

One argument went this way:

Other arguments went in very different directions but I refuse to give them any space by repeating them here.

So things have been happening in some parts of the globe that affect other parts. We are, after all, living on the one planet and the ripple effects of our actions and our beliefs don’t stop at our national – or state – borders.

It’s a bit like our bodies – something happens in one area which then impacts other areas and as the ripples move around and across and through your body it feels like it’s never going to end. That there’s always going to be pain. One area subsides just for another area to flare up. The physical starts to play with the mental and the emotional and back again. And it’s ongoing and thus distressing.

Just like the current situation with coronavirus. It goes quiet, and then flares up in another hotel room/suburb/region/country. There’s no end in sight. It’s ongoing and that adds to the distress.

After a period of relative quiet, COVID-19 has re-emerged in Victoria, and so Victorians are now not welcome in other states. Except if you’re part of an AFL team. Then you can go to Queensland to ensure the season continues, but ordinary Victorians cannot enter unless they’re willing to be fined or sentenced to gaol time.

Such is life. Money talks. Sport is important, it would seem, for national well-being.

Or something.

Not so The Arts it would seem. The Arts, as a sector, has been hit particularly hard by the lockdown. But there’s no other state to go to as a way of surviving – unless we’re talking a state of unemployment or sheer determined survival. Many people have turned to TV and movies for solace in this time yet many of them deny the importance of the arts to the economic or social or cultural or intellectual fabric of our society.

Luke McGregor – Australian comedian – made an argument for the role of the arts in national well-being on The Weekly with Charlie Pickering last week.

‘We don’t need the arts to survive … but they give us a reason to‘ – Luke McGregor

In many cases, the arts gives us the means to survive as well. I’m don’t mean in terms of financial support, but I mean in terms of an outlet for our creativity, for communicating, for seeing differently, for noticing, for making connections between ideas and perspectives and views and beliefs and values and thoughts and actions. And more.

And an outlet for connection with others.

Without an outlet for creative expression some of us may not have survived as well as we have through this on-going, never-ending (it seems) saga of COVID-19. While personal ‘creative expression’ might not have much to do with The Arts, I for one acknowledge the essential role the arts plays in my life.

I listen to music. I read books. I view works others have painted or photographed or sculpted or designed. I watch movies that started with an idea and grew over time, involving many (many) others in their production. People who have made artistic choices about sounds and movements and locations and backgrounds and lighting and music and no music and points of view and camera angles.

I watch and listen to others performing – dance, music, singing – and I am in awe of their determination and talent and desire for creative expression.

All of the people who make things, who produce things, design, craft and tinker and even those who, like me, play at the edges of creative endeavour … The Arts is there as a means and a reason to survive. They add something to the lives of those who spectate. They add much more to those of us who engage. They enrich us in ways simple spectating cannot do.

Click the image for more information about why The Arts matter

We are not a family of artists it has to be said, but many of us do like the creative outlet photography provides, and so I was thrilled that 15 family members contributed to our latest photography challenge: Ordinary Objects.

Our first challenge was the Alphabet of Isolation.

Cover design: Tim Moss

Our second was Images by the Dozen – a project in which we took images of the numbers 1-12 without using the actual numbers.

I designed this cover

The Ordinary Objects project required us to photograph 10 ordinary objects:

  • Something you eat
  • Something you eat with
  • Something you cook with
  • Something you see with
  • Something you put on your feet
  • Something you wash with
  • Something you wear
  • Something you drink from
  • Something you find in the garden
  • Something (not someone) you love

Fifteen family members, ranging in age from 4-81 and across four generations, contributed. We live across four states of Australia with one family member in the UK. As with our other projects we’d get together on a Sunday night and share our images. Yet another magazine to add to our collections as a physical memento of our creative decisions and expression.

I designed this cover too

Our next project is Variations on a Theme. Six images, all of the same theme/idea of each individual’s choice, but with variations.

My theme is abandonment. It’s meant I’ve taken photos of a type I wouldn’t normally take – I’m usually quite conceptual, but this time I wanted to try something different and so have expanded my photographic range slightly.

Here’s one of the first images I took for this project. Mind you, I’ve since adandoned this image as I went in a slightly different direction … but that’s the way it goes!

Abandoned as the urban sprawl creeps closer

Another image we drove miles to shoot, was also one I reluctantly abandoned as the church didn’t feel abandoned enough. I particularly love the Australian feel of this scene, with the gorgeous gum trees surrounding the church.

I was after something that looked a little more abandoned

We finalise our Variations on a Theme project next week and I’m looking forward to seeing what everyone’s come up with.

Connections through creativity.

What’s kept you connected with others through these anything-but-ordinary times?

Posted in Family, Life, Photography

Diary of a distancer: Week 10

Posted on by Sharon

I missed yesterday.

Well, not entirely. The day still happened, and I did stuff … but I didn’t write a blog post.

It was one of those beautiful autumn days we sometimes get in Melbourne: icy start but eventually warm enough to get the washing dry, a tiny waft of breeze to help the leaves spiral from the trees, and a no-cloud day which made it perfect for a late afternoon walk around the neighbourhood.

Walking late in the day

And no writing.

The week for me has felt a bit like those old cartoon backgrounds that keep repeating as the character runs across the screen. A window pops up every now and then, and then you notice the same door re-appearing and the pot plant on a stand.

The illusion of movement without any real progress.

The numbers keep going up, and not just of COVID-19 cases. Numbers of people calling for lockdown restrictions to be eased, numbers of people not social distancing in supermarkets and department stores.

Numbers of people out for picnics or gathering inside others’ homes.

Numbers of people wondering what life will be like when the lockdown is over … when we’re able to visit family interstate, to head out to a favourite cafe or pub, or return to our workplaces.

Some workplaces have indicated that working from home will be an option after this – possibly forever. I sincerely hope mine will be one of them. It’ll feel strange to go back to a windowless cold office now and chat face-to-face with colleagues. I can’t think why I’d want to do that or why it’s a better way of working than how I’m working at the moment.

Working from home suits me. I don’t have little children or pets to distract me, although I get my share of phone calls from my daughters asking about high and low modality words and about phonemes and graphemes. It’s not the same though as a two-year old seeking my attention as soon as I start a meeting, or a dog running around and around the couch while I’m working.

Jimmy, formally of Giggle and Hoot fame, has been keeping me entertained this week with his spot-on observations of life with little children, particularly in this era of working from home. This video applies just as much to parents working from home when their Zoom meetings start.

 

 

Sarah Cooper has also been keeping many of us entertained with her lip syncing of US President, Donald Trump’s press conferences. She doesn’t edit the audio – just does a great job of lip syncing to it. The little flourishes she adds make her videos even more entertaining.

What’s been keeping you entertained this week?

One thing that’s kept me busy – not sure how entertained I’ve been, but I’ve certainly been busy with it – is creating the magazine for our numbers project. Ten of us are engaged in a photography project – to take 12 photos of 1-12 without including the actual numbers.

The favourite image I’ve taken is my number 4:

Four(k)

I’d had a different idea in mind initially, so we shot that and then we started playing around with the idea. The afternoon light was beautiful and when Tim held the strawberry out in front of him, it hit the strawberry and the ends of the fork’s tines nicely. I like that – when you play with ideas and one of them works. It worked that Tim was wearing a dark hoodie too – made for a great backdrop.

Through doing this project and the alphabet one, we’ve come to an even stronger realisation of how different we are as photographers. Tim has a wonderful eye for detail. He can wander around and see things that I’d never notice in a lifetime.

I, on the other hand, plan all my shots, storyboard them and then play around with the original idea as I shoot. He’s more of an observer and documenter and I’m more conceptual in my approach. Neither is better or worse – except when I try to document what I see. That always turns out worse!

Although, having said that, two magazines I created a few weeks ago turned up this week. One is Country Shops of Victoria and Tasmania and the other is of bus stops. I am so thrilled with them. They don’t sound terribly interesting I know, but I get a little frizz of pleasure everytime I look at them. It was my attempt at documenting and I think it turned out okay.

I’m now keen to do more.

Again, a week in which connections and creativity featured heavily … and the other stuff just kept repeating in the background.

Stay safe out there …

 

 

 

 

Posted in Family, Life, Photography

Diary of a distancer: Week 9

Posted on by Sharon

As I write, it’s May 9 2020. Many parts of the world are slowly emerging from restrictions due to the spread of coronavirus. Restrictions are beginning to ease in parts of Australia too.

Some people are concerned about this, others are cautiously optimistic that life will return to ‘normal’ soon, and others are pressuring governments to ease restrictions more quickly.

We might all ‘be in this together’ but we’re certainly not in the same boat. The same storm perhaps, but not the same boat. Everyone’s experience of lockdown/self-isolation – call it what you will – is different.

It’s alarming and distressing to read that instances of domestic violence have increased, as have calls to helplines such as LifeLine.

Through the week, I read a tragic story of a 12 year old boy in the US who hung himself in his wardrobe in mid-April. His father blames coronavirus. His view was that as his son wasn’t able to go to school or meet up with his friends, he had nowhere to put his energy (particularly his negative energy) and so took this very drastic step, perhaps, his father said, not fully realising the finality of his action.

There are other situations, just as tragic.

For some, then, this period is particularly difficult. They’re in the storm but in small boats, or boats with one oar, or boats that don’t have a lot of supplies. They’re tossed around by the waves and the wind and can find no safe anchor.

We can’t imagine that our own experience of this time is the same as others.

I’ll own that statement. I don’t imagine that my experience of this time is the same as others.

It’s why connections are so important to me. It’s important to me to stay connected – to others, to ideas, to creative pursuits, to routine, to family, to physical and mental health.

For some, unexpected connections have made this period of time less unsettling than it might otherwise have been.

ABC News Breakfast shared a story on their Facebook page of a man in Wagga, NSW who is drawing a crowd during his trombone practice. What a delight – a time for people to come together – to sit and listen, to tap their feet, to wander into the sunshine, to reminisce. Connecting the past with now, connecting memories to others, connecting sound and emotion.

There are examples of this sort of connection between people happening all around the world. If we can, we should seek them out as they can bring pockets of light into what otherwise might be a dark time.

I’ve also been struck by the connections some people are making as they seek to make some sense of this time. Poet Lorin Clarke writes from the perspective of dust motes as they watch humans spending more time at home. It’s clever, this way of seeing things from another perspective and making connections across people’s experiences. And then putting images and music and a very particular kind of voice to this, adds to that sense of connection across more than ideas – across aesthetics and art forms too.

And then there are those who can sum up experiences many of us will recognise, in seemingly simple ways. My friend Taimi, shared this on her Facebook page earlier and I laughed out loud (I won’t tell you which particular image made me laugh the most).

If our things could talk

Graphics like this can connect us to others – even unknown others – as they allow us to know we’re not the only ones putting the dishwasher on more often or rarely using the car.

We spent a few hours one night through the week listening to Wes Tank rapping Dr Seuss books over Dr Dre beats. Connections again – between words and sounds and beats and voice and cleverness and creativity and silliness and more. See if you can do it!

 

And then there’s connections to things I didn’t know I was missing. An email arrived just the other day, and I glanced through it disinterestedly until I saw the words ‘Slow TV’. My attention was immediately caught.

A car company filmed a driver driving through the NSW countryside for four hours. It almost made me cry!

There’s a world out there that I haven’t connected with for weeks … months. There are hills and trees and bumpy roads and grassy verges and sky … all that sky. There are horizons that go beyond the back fence, two metres from my back door. There are sheep and road signs and beautiful music to accompany me on this journey of what might be described as nothingness, but which I describe as bliss. Absolute bliss.

Connection to country. Who knew it was something I missed?

And, of course, as always, there’s connection to family. To Mum, and my sister Deb, and my daughters Rochelle (and on weekends her husband Michael) and Emma, and their kids, and Alison, and to my daughter-in-law Kaz (and even more grandkids), and my cousins Cassandra and Jenny (and often their kids), and sometimes to my nieces Sarah and Eliza and sometimes their kids too. We exercise together every day (those of us who can make it), then chat – or listen to all the kids saying hello to each other.

It’s a fabulous connection – four generations and multiple arms of family coming together as often as we can to keep physically and mentally healthy. As has been emphasised as we’ve exercised more and more, exercise is not about how you look, it’s about how you feel, and exercising with family feels good!

And on the back of that connection, we also connect creatively. We’ve completed our Images of Isolation project and are into our Images by the Dozen project. We’re all to take 12 images – representing the numbers 1 to 12 without actually having numbers as a feature of the image. It helps keep our brains busy, our eyes seeing differently and our connections strong.

These are just some of the connections I’ve made this week. What connections have you made? 

Posted in Life

Diary of a distancer: Week 3

Posted on by Sharon

‘Distancer’ doesn’t appear to be a real word, but I’m using it anyway. If now, in these times of turmoil and disruption, isn’t the time to come up with new words I don’t know when is.

Are you staying in? How are you coping with it? I’m reading tweets and blogs and Facebook posts and am impressed by some people’s creativity and good humour. Of course, there’s lots of the opposite but I think it’s extra important to seek out the light in what could otherwise be considered dark times.

I laughed out loud when I saw this photo in response to the Australian government’s decision to limit haircuts to 30 minutes.

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Not sure of the source. I saw this on Facebook.

Thankfully, the government quickly rescinded the decision!

I’m impressed by people like Dana Jay Bein, who can adapt song lyrics to fit a particular situation, like his adaptation of Queen’s Bohemian Rhapsody (sung by Adrian Grimes)

Or like Chris Mann, who’s done a number of adaptations, including My Corona

I was even more impressed to come across a Facebook group called The Kindness Pandemic (if you’re on Facebook, check it out. It has loads of stories of people being kind to each other).

I’ve spoken with my work colleagues much more in the last week than in the previous few months, even though their office is (usually) just down the corridor from mine; it seems extra important to stay connected. I have a daily check-in with my team every morning and on Thursday mornings the wider team have a virtual morning tea.

One of the highlights of my day, though, comes at 6pm, when I’ve ‘arrived home from work’. I hook up with my sister and my mother and we exercise together. We exercise along to the Healthy Tasmania’s Kitchen Sessions (they’re on Facebook). Each session is just ten minutes and the kinds of exercises they do are suitable for everyone. We then spend some time chatting about our day before heading off to have our respective dinners.

I’m enjoying working from home and I’m not sure I’ll want to go back into ‘work’ when this is over. We have our routine set pretty well now: we exercise each morning, we eat lunch together most days (something we haven’t done since we moved to Melbourne over six years ago), we’ve stopped watching the news, and we sit at the table to eat dinner (now that my computer is off it) and chat about the day we’ve had.

We might bump into each other through the day, but generally we’re so busy we only come out of our respective spaces for food and toilet breaks. The tenor of our days is quietly industrious and we’re both tapping into a range of skills so one day doesn’t feel like the next.

I know we’re amazingly fortunate. We both have secure jobs, no little kids at home to make working from home difficult as it is for some, and we each have a space at home in which to work. Our life is, in some ways, not much changed from before we started isolating ourselves physically from the world. We both exercise more now than we did before, we eat better and the house is much more organised than before. It feels like we’ve created a little oasis for ourselves. It’s calm and quiet and so far, that’s keeping the anxiety and stress at bay.

We’re reminded of the outside world through social media of course, there’s no getting away from it. And we continue to be horrified by some of the stories we hear … but we’re choosing to focus on the good and the kind. We know we’re blessed to be in a position to do so.

One of the stories that warmed my heart this week was of some children in the UK writing emails to residents in a local care home to let them know the kids were thinking about them. That’s sweet!

As I mentioned earlier, I’m impressed by people’s creativity. The Rotterdam Philharmonic Orchestra obviously can’t get together to play, so they used technology to enable them to create music together. Enjoy!

How are you coping?

Posted in Flowers, Photography

Celebration …

Posted on by Sharon

I finished my radio therapy treatment on Thursday last week. The final four treatments were ‘booster’ treatments, which I found quite terrifying. No goggles, no holding my breath, just a really big machine zapping a very targeted part of me at close quarters. I almost asked for the goggles back, then realised I could just shut my eyes to avoid being confronted by the bigness, closeness and scariness of the machine.

Each treatment was over quickly though and Emma would drive me home while I felt a little more shell shocked each time. I have no idea what I would’ve done without her.

It was fabulous to have Emma stay with us (Photo by Tim)

I’d somehow forgotten about, or perhaps thought I was immune to, the side-effects though. Apart, of course, from fatigue.

I can’t say I wasn’t warned. Karen, my radio oncologist, told me about the potential for them, as did the breast care nurses, and others I’ve spoken with who have gone through similar treatment. I even wrote about them on this very blog a few weeks ago, yet I was still caught off-guard.

A sunburn type response.

Redness.

Swelling.

Peeling.

Pain.

I wrote in that earlier post: ‘I might get all of these, some of them, or none.’

I got the jackpot – all of them.

The good news is that they probably won’t last more than a week or two (or maybe three or four).

And the other good news is that I’ve had company since halfway through my treatment – others to share my daily annoyances with. Probably not good news for them, but I’ve appreciated having Emma (who stayed an extra week with me) and now Deb to whinge to.

I also had the foresight to take some sick leave and I’m very pleased I did. I couldn’t have coped with going to work on top of everything.

But this is getting boring now. And if I’m bored by it all, I’m sure you are too. So I’m not going to write anymore about it.

****
On Sunday, Alison (aka Number 6) decided to spend the day with us, celebrating ‘me’ – my birthday earlier in the month and the end of my treatment.

Alison knows that I love to photograph flowers and so we went to the Queen Vic Market and bought loads: carnations, daisies, bluegum leaves, wheat that had been spray painted, and others I have no names for.

The outside table was strewn with flowers and leaves and twine and special scissors for cutting the stems and ribbon; palings from a fallen-down fence were put to good use as a backdrop and a surface; a tabletop was perched on the backs of kitchen chairs so we could shoot against the white wall under the clothes line; a shiny black tile and a sheet of black cardboard was set up in the kitchen as a different kind of photographic space … in amongst this chaotic space Alison managed to create a beautiful bouquet, and a delicious dinner.

It was a fabulous way to spend an afternoon!

Yellow daisies

 

 

These are beautiful even though I don’t know what they’re called

 

Gorgeous lilac roses

 

Spray painted wheat

 

Alison’s bouquet

These are just some of the shots I took – and if the wind stops I might take even more.

Thanks Alison! Let’s do it again some time.

Posted in Photography

52 weeks … a year in words and images

Posted on by Sharon

As you’re no doubt aware, I like to take photos. Some of them are even okay. Others are relegated to the ‘do not ever open’ folder on my computer.

I generally take photos of flowers*, and when I travel I take photos of buildings and gardens and bridges. And people. Especially people. As someone who prefers not to interact with people, I’m often bemused by my love of taking photos of people.

I’ll happily walk up to someone in the city and ask to take their photo and have a chat with them – but put me in a room with other people at a conference for instance, and I find a corner in which to stand awkwardly, avoiding eye contact with other conference participants in case they somehow, inexplicably, think it’s okay to talk to me. It never is. Ever. Standing awkwardly in a corner is fine with me, and because I’m so old, I can even do it without a phone in my hand.

So, photos of flowers and people. But I’m also part of a small group of photographers who are engaged in a 52 Week Photography Project (note the caps – that means it’s a ‘thing’, an important and significant thing), and that means I have to extend my range, photographically speaking, beyond people and flowers. And it’s often (read ‘always’) a challenge.

We have a theme each week and I generally spend the week thinking of ideas. Or at least knowing I should be thinking of ideas. By the weekend, when no ideas have fallen on me from the ideas generator in the sky (I’m beginning to think the ideas generator doesn’t exist and that I’ll have to do my own thinking!), I get desperate and take a photo of the first thing that crosses my path.

Well, there’s a bit more to it than that, but sometimes my creativity tank is very low and I feel pressured to find something to photograph. I have a few cringe-worthy shots as proof of my depleted creativity – but let’s focus on the positives shall we?

Our themes have included ‘blue‘, ‘still life with food‘, and ‘the natural world‘. We shoot a self-portrait in Week 1, Week 13, Week 26, Week 39, and Week 52; and in Weeks 10, 20, 30, 40, & 50 the theme is photographer’s choice (now, if you think it’s hard to think of something when you have a theme, let me tell you it’s VERY difficult to think of something to shoot when there isn’t one).

The weekly post is released each Sunday night on the 52 Week Photography blog, and we sit and chat (electronically, as we’re spread across the globe) about each other’s images. As my sister Debbie, her husband Grant, their daughter Melanie, my son Daniel, my husband Tim, and our friend Alison form the group, it’s a lovely way to end the week.

I love to see how each person has interpreted the theme and marvel at the photographic prowess on display, and commit (to myself at least) to trying harder next week, which, come Monday I promptly forget, only to be reminded the following week when I see everyone else’s shots.

And it’s already Week 21 (the year really is flying by) and the theme this week is ‘play’ … how would you interpret that theme? Feel free to upload your photographic interpretation in the comments.

[Using my readers as potential ideas generators?? Never!!]

[Please (please) feel free to play along!]

* I don’t actually only take photos of flowers. Sometimes I also take photos of lightbulbs! (This is a shot from last year’s 52 Week Project.)

Fun fact: I was contacted by an energy company in the UK earlier this week asking if they could use this image on their promotional material!

Posted in Flowers, Learning

250

Posted on by Sharon

I keep returning to the sunflowers – there’s something captivating about them: the depth of colour, the detail, the symmetry of each petal (or perhaps the lack of symmetry).

As I wrote in my long post on Monday last week, I enjoy the creative process. For me, photography isn’t capturing the scene in front of me – it’s not ‘taking a photo’ – it’s creating an image with a deliberate creativity that explores and plays and experiments with light and shape and form and style and depth.

What is photography to you?

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