Posted in Life, Portraits

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I took this photo on the sly – which isn’t my usual style. I usually like to make sure that my subjects know I’m photographing them … so when I checked it to see what he looked like on camera, I asked if I could take his photo. He shrugged – I’m not sure if he was noncommittal or just didn’t understand me. I asked his name and he shrugged again. I like to think that he didn’t speak English rather than him wanting to ignore me.

But he has a great face, doesn’t he?

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There’s another photo of him on my Instagram account.

Posted in Life, Portraits

283

I often take photos of strangers. I am always careful who I approach – I often spend quite a bit of time trying to determine if they’re friendly. Not with this guy. His smile told me that I had nothing to worry about.

This is Nouhe (pron. Noah). He’s from France, and I happened to catch him as he sat on the steps of H&M in the Bourke St mall (the old Post Office) on the weekend.

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Posted in Life, Photography, Portraits

279

One of the (many) things I love about Tim is the way he supports me in my photography hobby. He doesn’t only model for me, or provide me with lens and camera combinations that create beautiful images, but he also provides opportunities for me to learn more about photography. We went to Sydney a few weeks ago so that I could attend a workshop on portrait photography. It was fabulous because a whole lot of technical things clicked for me, allowing me to take more control of what I’m doing behind the camera.

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I don’t know if my developing skills are apparent to anyone else but me, but I’m now taking images where I control all the really important elements – and by that I mean the light.

Here’s a shot from an impromptu shoot this morning where I was testing a different lens/camera combination than my usual set-up. This was taken using a 42.5mm lens (full-frame equivalent = 85mm), at f1.2. It’s a beautiful lens – look what it does to the background: it gives a gorgeous bokeh* and beautiful separation of subject (Tim, in this case) and background.

The bokeh forces the viewer to focus on the subject and thus its appeal in photography. If all of the greenery had been in focus, the image would have been very busy and the background would have been competing for attention.

Thanks Tim for being a model and especially for being the means of me continuing to learn about photography.

*Bokeh – a Japanese word meaning ‘blur’.

Posted in Photography, Portraits

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At the photography workshop I attended on the weekend, we didn’t only take photos of one of the volunteers. We also had the opportunity to take photos of a professional model.

This is a high key photo of Emily in the wheelhouse of the boat we were using as our location.

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Posted in Photography, Portraits

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Here’s another photo of John from the workshop I attended on Saturday in Sydney.

I was really challenged by this workshop because it wasn’t about taking photos of strangers on the street – which is more in my comfort zone and it wasn’t taking photos of people’s faces. It was about taking photos of people in their environment and so I had to be more deliberate, to think more about composition and leading lines and the position of the subject and where their gaze rests.

And then there were the technical decisions – taking into account the quality of the light, the quantity of light and the direction of it – and setting the camera accordingly. There’s a lot to this photography caper!

 

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Posted in Photography, Portraits

267

I didn’t sleep much the night before the portrait workshop – too much excitement (or something). But once I got there my nerves/anxiety fell away and I was able to fully engage with learning more about portrait photography.

We went on location to the Sydney Heritage Fleet, where each weekend one of the volunteers agrees to model for workshop participants.

John was the volunteer I was fortunate enough to shoot.

I learnt a lot and look forward to practicising over the next weeks and months.

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